Led Zeppelin, BBC Sessions Full Extra Quality Album Zip
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The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti and Coda. All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass, keyboards), and John Bonham (drums). The album was produced by Page and mixed by Eddie Kramer.
Some songs from the album had initially been tried out in earlier sessions, such as "No Quarter", which was first attempted during a session at Headley Grange Estate, in East Hampshire.[8] Both guitarist and producer Jimmy Page and bassist / keyboardist John Paul Jones had installed home studios, which allowed them to arrive at Stargroves with complete compositions and arrangements.[6]
Page's home studio used some of the equipment from Pye Mobile Studios, which had been used to record The Who's 1970 live album Live at Leeds.[9] Because of his home studio, he was able to present a complete arrangement of "The Rain Song", including non-standard guitar tunings and a variety of dynamics, and "Over the Hills and Far Away", featuring multiple guitar parts. Meanwhile, Jones had developed a new arrangement of "No Quarter". Once the group were settled in Stargroves, they composed the other songs through jam sessions together. Further recording took place at Olympic Studios in May, and during the band's 1972 North American tour additional recording sessions were conducted at Electric Lady Studios in New York.[6] Some songs which were recorded from these various sessions did not make it onto Houses of the Holy. Some of them were released on later albums. A series of rock 'n' roll covers, including songs that appeared on Elvis Presley's Elvis' Golden Records, were recorded at Electric Lady Studios, which remain unreleased.[6]
"Dancing Days" was inspired by the enjoyable sessions at Stargroves, and the lyrics show a general optimism to life.[8] Kramer recalled the group dancing around in the garden at Stargroves, listening to the playback of the final mix. A promotional copy of the track was sent out by Atlantic for radio play in March 1973, as a preview for the album.[14]
With the 2007 re-release of both the album and film, the songs were synchronised so that the full set-list from the concerts was available on both, with each song mixed the same way. Kevin Shirley, who worked on How The West Was Won, was involved in the mixing.[3]
It also denoted an equally important marketplace turn: 1966 was the last year that seven-inch singles outsold twelve-inch LPs, and albums remained king through the digital age, when individual-track downloads finally surpassed full-lengths in 2008. Two new books by British rock critics, each keyed to specific years, act as a before-and-after of how "rock and roll" calcifying into "rock" acted in terms of who had access to it as the primary, envelope-pushing musical form of the moment. 2b1af7f3a8