ABCD - Any Body Can Dance - 3 Version Full Movies

ABCD: Anybody Can Dance is a 2013 Indian Hindi-language dance drama film directed and choreographed by choreographer Remo D'Souza and produced by Ronnie Screwvala and Siddharth Roy Kapur under UTV Spotboy Motion Pictures.[3] The film stars Prabhu Deva in lead role along with Ganesh Acharya and Kay Kay Menon. The participants of Dance India Dance appear in supporting roles.[4] Along with the Tamil and Telugu dubbed versions titled Aadalam Boys Chinnatha Dance and ABCD respectively, the film, made at a budget of between Rs 120 million and 420 million,[1][2] was released worldwide in 3D on 8 February 2013 to mostly positive reviews from critics.[5]

ABCD - Any Body Can Dance - 3 version full movies

The crew head to Dance Dil Se and audition, but when Rocky and D fight onstage for Rhea, their chances of appearing on the show in the first place seems bleak. Jehangir, in a bid to humiliate Vishnu publicly, persuades the judges to take the "Dhongri Dance Revolution" crew on as the shows "jokers". Faced with ridicule and the idea that they are a joke and not true dancers, Vishnu asks Rocky and D to do a step that requires a great deal of trust from both, but they cannot muster the trust to manage it. Vishnu has them choose the people they would trust to perform the step with, but then tricks both dancers by blindfolding them and having them attempt it again; this time, they are successful. Vishnu then states that unless the two manage to do the step without blindfolds none of the dancers would be allowed to go home for the night. Several abortive and unsuccessful attempts later D and Rocky take a break and Chandu talks to D and tells him about Bhavana's secret love for D. Bhavana and D get together, D completes the move successfully with Rocky, and the two factions begin to trust each other and work together. They even perform a dance act full of comedy dressed as jokers to answer back Jehangir's comment. The community complains that their children should not be mixing in such a way and through an impromptu dance performance are the youth able to convince their families about the importance of their talent. However, D's conservative and orthodox father refused to accept that his son desires to be a dancer.

The first time I heard the title of his new movie, I asked Remo D'Souza, can anybody [and everybody] dance? But you get the response while surfing television channels: Dance-based shows have become a prerequisite for the programming department of most channels. From kids to young couples to even senior citizens, these dance-based shows feature just about anyone and everyone with the passion for dance. There's no 'age limit', frankly. Come to think of it, music and dance are an integral part of our culture and day-to-day life. We love dancing, don't we? Dancing on the streets, during weddings, birthday celebrations, festivals... we also break into a dance when India wins a crucial cricket match against a strong opponent.

Bollywood doesn't have the tradition of making out-and-out dance-based movies, like Hollywood does with amazing regularity. At a point of time, B. Subhash did attempt a film or two starring Mithun Chakraborty [DISCO DANCER, DANCE DANCE]. Also NACHE MAYURI, featuring Sudha Chandran. But ABCD - ANY BODY CAN DANCE is the first of its kind that's set against the backdrop of a dance competition. Does it ring a bell? Does it borrow from the STEP UP series? Perhaps, Remo may be motivated by the Hollywood film franchise, but he Indianizes it well enough, garnishing it with emotions that we can identify with and of course, choosing some of the best dancers for pivotal parts, besides casting Prabhu Dheva and Ganesh Acharya. Plus, this one's in 3D.

ABCD - ANY BODY CAN DANCE's biggest strength lies in the variety of dances that Remo presents to the spectators. Where the film falters is in its skeletal plotline, although writer Tushar Hiranandani comes up with several knockout sequences. But there's no denying that the screenwriting deviates into the conventional and foreseeable zone in the second hour. The curse of the second half [most films run out of steam in the post-interval portions] looms large here too, as Remo resorts to clichÃs to carry the story forward. Besides, the film is stretched by at least 15/20 minutes. Thankfully, the narrative gathers steam once again towards the closing portions and the dance competition in the finale is simply breathtaking.